People who identify under these umbrella terms may describe themselves using one or more of a wide variety of terms, including, but not limited to, asexual, ace, aromantic, aro, demi, grey, and abro. Umbrella terms used to describe the wide group of people who experience a lack of, varying, or occasional experiences of romantic and/or sexual attraction, including a lack of attraction. Ace people who experience romantic attraction or occasional sexual attraction might also use terms such as gay, bi, lesbian, straight and queer in conjunction with asexual to describe the direction of their romantic or sexual attraction.įind out more about ace identities on our Ace Hub. This encompasses asexual people as well as those who identify as demisexual and grey-sexual. AceĪn umbrella term used specifically to describe a lack of, varying, or occasional experiences of sexual attraction. They may use different terms to describe themselves over time. A Abro (sexual and romantic)Ī word used to describe people who have a fluid sexual and/or romantic orientation which changes over time, or the course of their life. 4th ed., Allyn and Bacon, 2000.Download easy read definitions of lesbian, gay, bi and trans. These two musicians expressed the same thought in their own unique voices. But the pauses between the notes-ah, that is where the art resides.” “The notes I handle no better than many pianists. “Don’t play what’s there play what’s not there.” Just as you speak to different people in different ways yet remain yourself, so the tone of your writing can vary with the situation while the voice - the essential, individual thoughts and expression - is still your own. A personal conversation with a friend differs from a speech given to a large group of strangers. VoiceĪnything you write should still have your voice: something that makes your writing sound uniquely like you. In the same way, writing should change to suit the occasion. In all of these cases, there is some freedom of self-expression while adapting to the audience. An academic paper is like a formal speech at a conference: being interesting is desirable, but there is no room for personal digressions or familiar usage of slang words. A column for a newspaper may be more like a high-school graduation speech: it can be more formal, but it can still be funny or familiar. A journal might be like a conversation with a close friend where there is the freedom to use slang or other casual forms of speech. One way to achieve proper tone is to imagine a situation in which to say the words being written. (Good writers frequently vary the length of their sentences.) It can consist mostly of long, intricate sentences, of short, simple ones, or of something in between. The tone may be objective or subjective, logical or emotional, intimate or distant, serious or humorous. ToneĪside from individual word choice, the overall tone, or attitude, of a piece of writing should be appropriate to the audience and purpose. Avoid clichés, vagueness (language that has more than one equally probable meaning), wordiness, and unnecessarily complex language. Some types of diction are almost never advisable in writing. Words that have almost the same denotation (dictionary meaning) can have very different connotations (implied meanings).īesides the level of formality, also consider positive or negative connotations of the words chosen. When writing, use vocabulary suited for the type of assignment. Switching styles can distract the reader and diminish the believability of the paper’s argument. The main goal in considering style is to present your information in a manner appropriate for both the audience and the purpose of the writing. As the package for the meaning of the text, style influences the reader’s impression of the information itself. In writing, however, the two are very closely linked. Style is the way in which something is written, as opposed to the meaning of what is written.
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